SEARCH JARED AND JENSEN PANEL TRANSCRIPTS

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Attention actors. [cheering] [applause] [applause]
[cheering]

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>> Good morning.

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>> Morning,

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>> my beautiful Canadian people. [cheering]

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>> Feels like I'm here from Canada, but I

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was backstage. I'm like, pretty much I

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uh [laughter]

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definitely had uh spent a lot of time

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here. Anybody from Toronto here or the

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surrounding areas?

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>> Um Hamilton, ANYONE?

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>> MISSAGA? ANYBODY? NO. All right.

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Probably didn't say that right. Um well

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uh as as good as Vancouver was to be for

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got some West Coasters, as good as that city

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some West Coasters, as good as that city
was to be for many many years, Toronto

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has now become uh a bit of a second home

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to me. The boys

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rising. [cheering]

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[applause]

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>> So uh yeah, I don't know what's going to

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happen in the next 10 years. Maybe I'll

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just move up to Montreal for a while.

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[cheering] Maybe I'll hit Thunder Bay,

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maybe Calgary,

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Edmonton. Who knows? I don't know. I'm

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going to hit all the spots. Um, no, it's

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uh it's nice to be be back here. Um I

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feel like I just just left, which I

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guess I did. We wrapped up in March uh

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here. It was a very cold winter.

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>> Yeah. Yeah, it was. Um, proper a proper

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winter this year.

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>> Yeah.

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>> I was out filming in Kaledan. Anybody

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know where that is?

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>> Okay. [laughter]

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>> Uh, in like January and it was I was

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like waist deep snow, full blizzard. I

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don't know. It was It was great.

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[laughter] It was great. I think it was minus 20

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It was great. I think it was minus 20
minus

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>> 25

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bing. >> At what point does Can anybody tell me

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>> At what point does Can anybody tell me
at what point does Celsius and

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Fahrenheit cross?

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>> 43US

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40. That's right. I felt like we were

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there. Like I don't even care. It

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doesn't even matter what uh what you

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use. Uh it's it's just it was cold. So

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so cold. And I quickly realized that

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these superhero suits that are works of

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art, amazing, beautiful

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>> things,

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they're not the most insulated.

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>> So I look around, my crew have like two

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jackets of like down comforters and like

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whole gloves and everybody has battery

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operated clothing here. [laughter]

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I didn't have that. Uh I couldn't feel

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my face. It was uh but we got it done

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and it was it was an experience and um

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yeah it's uh whoever says that you know

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oh movie making and TV making it's all

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sunglasses and

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sunshine it's it's not honestly

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[laughter] not the projects I do. Um

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anyway happy to be here. Thank you guys

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for bringing me here and having me back.

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And um I'm going to just kind of open it

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up to some questions because we have

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limited time. So, uh, let's go right in

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the back there. You had your hand up

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first. Denim shirt. That's you. Hi.

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>> I just wondered if there was any other

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shower project you would have liked to

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have been a part of.

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>> All of them.

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Um, I'll do anything that guy does. I

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think he is just an absolute uh savant

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when it comes to world building,

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character creating, storytelling. Um, he

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knows that. I've told him many times.

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I'm like, you know, what are we doing

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next? Um, yeah, he he is certainly one

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of uh one of the guys that if if he's

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got something going, I I would love to

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be a part of it in any way, shape, or

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form. Um, really happy with the boys.

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Um, and you know, he did it, you know, I

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thought Revolution was great. Um,

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Timeless I thought was was also great. I

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felt like he was maybe a little

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handcuffed on his abilities and what

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he's capable of doing with those shows

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largely because they were broadcast and

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there was multiple kind of uh producers

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involved and JJ Abrams was one of them.

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So they, you know, there was a lot of

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micromanaging I think happening and he

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kind of had to stay in his lane. Uh and

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then he got the boys and it all opened

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up

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>> and we can clearly see what he's capable

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of. No rules, no boundaries.

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>> No rules, no boundaries. Uh, so yeah, I

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I I will um I will forever

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come running if he calls. Um, so yeah,

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he's he's a he's a special talent, and

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you can tell I said that.

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Uh, all right, let's see. Um, let's go

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over here. Back row glasses. Yes.

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>> Hi.

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>> My gosh. This is a great experience.

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I've come here from Australia, so I

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travel a lot. [laughter]

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>> Oh, nice. What part of Australia?

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>> I'm from Brisbane.

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>> Brisbane.

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>> So, closer to the sunshine place.

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>> Yes.

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>> Yeah. Great. Um, I just wanted to tell a

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little story before I ask a question.

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Um, so, uh, this weekend's been amazing

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for me. I celebrated my 50th birthday

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here. >> Happy birthday. [applause] And um I had

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>> Happy birthday. [applause] And um I had
a great act of kindness happen while I

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was here. So I just wanted to share it

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with you and then ask you the question.

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Um so I lost my ticket to Misha um when

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I was racing around doing a couple of

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things. >> You lost your ticket. I lost my ticket

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>> You lost your ticket. I lost my ticket
and I was my [laughter]

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>> paying £100 a minute and I'm like I'm

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not going to get my photo. Went and I

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saw the girls here and somebody had

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actually handed it in. Um

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>> somebody actually what?

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>> Handed it in.

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>> Oh, they turned it in.

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>> Yeah, they turned it in and obviously

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>> Good on you, whoever you are.

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>> Yeah, >> see

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>> see
there it is right here.

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>> Yeah. Thank you so much. You're a

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legend. [laughter]

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>> So, you have a great fan base. Look at

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that. Um, so my question is, have you

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ever had something like that happen to

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yourself where it was just an amazing

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act of kindness?

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>> Uh, that's a good question. Um,

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yeah. Yeah, there's I mean I I

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travel around a lot. I meet and I have

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the opportunity of meeting a lot of

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different people. from a lot of

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different cultures and backgrounds and

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uh all over the the globe. And I I I can

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tell you I can tell you through my

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experience that humans are good people.

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I think in general generally speaking, I

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think there's just a lot of good out

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there. And I know it doesn't get talked

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about as much as the bad. I'm sure there

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are bad actors out there, but it it a

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few of them on this stage. Uh,

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[laughter]

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but I I really I really do uh do believe

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that that that

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uh that we're good that we there's a lot

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of kindness that doesn't get talked

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about as much as it should. Like just a

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simple act here. Um, I've had uh I've

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had the opportunity I'm trying to think

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if there was one that that kind of has

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been done to me. Um, it wasn't me

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specifically. It was my wife um had uh

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had lost her wallet. Uh and we were we

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were in New York and um and it it

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somehow it she had her uh our hotel key

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in her wallet and we lost it. I forget

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where we were somewhere

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walking around Manhattan and the we

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thought it got stolen. We're like, "Oh,

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some somehow someway somebody reached

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the door bag, nipped her wallet, and

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it's gone."

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So, we get back to the hotel thinking

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like, "We're going to have to call and

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cancel the credit cards and do all this

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stuff." And the person at the front desk

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was like, "Excuse me, excuse me.

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Somebody came and turned this in for

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you." Went to the hotel because of the

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hotel key. And he's like, "Here's here's

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your wallet back." And so, don't know

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who it was. All the cash was still in

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there, like all of it. And I was like,

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"In New York." [laughter]

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Okay. Okay. New York.

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Surprise. Um, yeah. So, I I those things

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do happen and and I'm glad that they

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still happen and it's nice to It's nice

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when good things happen to good people,

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too, you know. So, thank you.

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>> Um, all right. Yes.

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>> Yeah.

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>> Me.

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>> You're literally waving.

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>> I'm sorry.

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>> Me. [laughter]

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>> Oh, sorry.

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>> Hi. Uh, hi Ken. My name is Jenny. Um,

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this question is kind of from the very

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first episode from Woman and White. And

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when you and Jerry are being chased by

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Baby and he stays up on me and you jump

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over and then you're covered in a whole

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bunch of, needless to say, Um, so

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how many times did that take that you

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had to [clears throat] sit down there

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covered in that? And how long did it

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take you to get it off?

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It was uh Yeah, I remember that. I don't

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think that was scripted.

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>> I mean, I could be wrong. I'd have to

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It's been a long time.

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>> Did you lose that rock paper scissor cuz

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you so shocked?

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>> No, it just that was like one of those

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moments where I was like, this is a good

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character building moment for Dean where

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it it, you know, just starting to see

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kind of a little bit of that comedy come

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out. Um,

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and so, uh, I feel like I feel like it

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was originally scripted that we both

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jump and then maybe it was Nathan Dunn, the

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and then maybe it was Nathan Dunn, the
director, or or even thought it would be

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funnier if just one of them went and

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then that was kind of the the comedic

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moment. Um, and so yeah, I obviously did

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not do the the jump. That was the stunt

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devil who who actually did it like uh it

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was on like a wire so he didn't actually

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fall all the way down because it was

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pretty it was a pretty far jump but uh

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but then I had to go down there and I

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had to get into the water which was very

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cold at that that time cuz it was like

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we're filming in March I think that was

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and so the water was very cold and I I

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got down there and then special effects

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came just kicked to be full of mud. Um,

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and it, you know, it turned out to be

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kind of one of those first first times

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that we see Dean have that bit of comedy

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relief. >> Yeah.

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>> Yeah.
>> Within a dire situation and I really

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love that moment. So, it was uh but

262
00:11:24,399 --> 00:11:26,799
yeah, that was not fun getting caked up

263
00:11:26,800 --> 00:11:30,159
in that mud. Um, a lot of times they're

264
00:11:30,160 --> 00:11:32,239
like, "Oh, this is, you know, this is

265
00:11:32,240 --> 00:11:34,239
some biodegradable,

266
00:11:34,240 --> 00:11:36,719
you know, non-toxic

267
00:11:36,720 --> 00:11:39,039
material that we're going to slather all

268
00:11:39,040 --> 00:11:40,799
over you." And I don't know whether I

269
00:11:40,800 --> 00:11:43,119
believe him all the time. Uh, [laughter]

270
00:11:43,120 --> 00:11:45,919
the worst one just made me think of like

271
00:11:45,920 --> 00:11:47,679
one where they were like, "Okay, the

272
00:11:47,680 --> 00:11:49,838
dirt." Remember when Dean got buried

273
00:11:50,800 --> 00:11:51,759
alive >> in the casket,

274
00:11:51,760 --> 00:11:55,759
>> in the casket,
>> right? any and he and I punch the the

275
00:11:55,760 --> 00:11:57,359
hole in the wood and the dirt kind of

276
00:11:57,360 --> 00:12:00,078
like comes all comes down.

277
00:12:00,079 --> 00:12:02,879
They were like, "Oh, uh, good news for

278
00:12:02,880 --> 00:12:04,479
you. We're just going to use crushed

279
00:12:07,058 --> 00:12:09,759
Oreos." [laughter] And I was like, "Great.

280
00:12:09,760 --> 00:12:13,199
[laughter] And I was like, "Great.
This sounds great." So, it was it was

281
00:12:13,200 --> 00:12:16,159
like just, you know, bags and bags and

282
00:12:16,160 --> 00:12:18,159
bags of crushed Oreos. I mean, when you

283
00:12:18,160 --> 00:12:20,638
crush them all up, it looks like dirt.

284
00:12:20,639 --> 00:12:25,599
And um and so I remember uh when I when

285
00:12:25,600 --> 00:12:27,919
I hit it and all of that dirt came down

286
00:12:27,920 --> 00:12:30,078
on me, I turned my head at the last

287
00:12:30,079 --> 00:12:31,439
second. I think I've told this story

288
00:12:31,440 --> 00:12:34,559
before. And I I had forgot to put

289
00:12:34,560 --> 00:12:37,199
earplugs in

290
00:12:37,200 --> 00:12:40,559
>> and so I was digging Oreo out of my beer

291
00:12:40,560 --> 00:12:43,910
for like a week. [laughter]

292
00:12:43,920 --> 00:12:47,439
Um that was that was not great. Um but

293
00:12:47,440 --> 00:12:49,759
yeah, they they they usually try to

294
00:12:51,519 --> 00:12:53,359
Usually special effects tries to come up or even

295
00:12:53,360 --> 00:12:55,278
special effects tries to come up or even
special special effects makeup. Try to

296
00:12:55,279 --> 00:12:57,439
try to come up with things that are, you

297
00:12:57,440 --> 00:12:59,838
know, at least somewhat tolerable when

298
00:12:59,839 --> 00:13:03,278
it's things like that. But still, you

299
00:13:03,279 --> 00:13:04,799
can't you can't prepare yourself for it

300
00:13:04,800 --> 00:13:08,479
all the time. Yeah. Thanks. Uh, all

301
00:13:08,480 --> 00:13:11,359
right. Let's go over here. Uh, how about

302
00:13:11,360 --> 00:13:14,958
in the back yellow shirt?

303
00:13:14,959 --> 00:13:16,159
>> Hi.

304
00:13:16,160 --> 00:13:19,278
>> Oh my god, that was

305
00:13:19,279 --> 00:13:22,319
any frustration while filming with a

306
00:13:22,320 --> 00:13:24,559
cast member or just something that boils

307
00:13:24,560 --> 00:13:27,278
over to the next day is you and if you

308
00:13:28,480 --> 00:13:30,559
did >> what I I couldn't hear you. Say say

309
00:13:30,560 --> 00:13:31,039
>> what I I couldn't hear you. Say say
again.

310
00:13:31,040 --> 00:13:33,518
>> Have you had any frustrations

311
00:13:33,519 --> 00:13:36,398
um from the day by royal over until the

312
00:13:36,399 --> 00:13:39,119
next day um that kind of stuck with you

313
00:13:39,120 --> 00:13:40,799
and how did you deal with it?

314
00:13:40,800 --> 00:13:43,039
>> Like frustrations filming or just in

315
00:13:43,519 --> 00:13:45,119
life >> with a cast member or even your own

316
00:13:45,120 --> 00:13:48,479
>> with a cast member or even your own
personal life? How did you deal with it?

317
00:13:51,120 --> 00:13:53,599
Uh, I guess it depends on what it is. I

318
00:13:53,600 --> 00:13:56,398
I guess it depends on what it is. I
mean, sure, there's there's frustrating

319
00:13:56,399 --> 00:13:59,278
days on on set.

320
00:14:01,360 --> 00:14:03,439
Um, and,

321
00:14:03,440 --> 00:14:07,518
and,
you know, I I I try not to get I try not

322
00:14:07,519 --> 00:14:09,198
to get emotional about stuff like that.

323
00:14:09,199 --> 00:14:13,119
I try to try to figure out a solve like,

324
00:14:13,120 --> 00:14:16,239
okay, how can we what's Hey, what's the

325
00:14:16,240 --> 00:14:19,759
problem? why is this happening? Um, how

326
00:14:19,760 --> 00:14:21,838
can we stop it from happening? How can

327
00:14:21,839 --> 00:14:25,518
we avoid it in the future? And so that

328
00:14:25,519 --> 00:14:29,039
sometimes requires a conversation with

329
00:14:29,040 --> 00:14:32,398
someone or some folks to kind of figure

330
00:14:32,399 --> 00:14:34,799
out why it's happening and how to stop

331
00:14:34,800 --> 00:14:39,278
it and how to avoid it. Um, but yeah, I

332
00:14:39,279 --> 00:14:42,638
don't I'm not a big grudge holder. I

333
00:14:42,639 --> 00:14:45,599
like to deal with it and move on. Um,

334
00:14:45,600 --> 00:14:47,439
>> deal with it like a grown adult.

335
00:14:47,440 --> 00:14:50,159
>> Deal with it like an adult. Yeah. Yeah.

336
00:14:50,160 --> 00:14:52,638
Um, don't try to get revenge. Don't try

337
00:14:52,639 --> 00:14:54,319
to get back. Don't try to do any of that

338
00:14:54,320 --> 00:14:56,719
stuff. Handle it like a, you know, like

339
00:14:56,720 --> 00:14:58,799
a responsible human being and and then

340
00:14:58,800 --> 00:15:01,919
move on from it. Uh, I find that

341
00:15:01,920 --> 00:15:04,799
generally when you take that approach,

342
00:15:04,800 --> 00:15:08,479
uh, you have better outcomes. Um, I know

343
00:15:08,480 --> 00:15:09,919
that's not easy for everybody. Some

344
00:15:09,920 --> 00:15:11,599
people want to just react and get angry

345
00:15:11,600 --> 00:15:14,958
and lash out. I try to avoid that

346
00:15:14,959 --> 00:15:17,838
certainly in the workplace at at all

347
00:15:17,839 --> 00:15:20,638
costs. Um

348
00:15:20,639 --> 00:15:23,359
but uh yeah, that's kind of it's kind of

349
00:15:23,360 --> 00:15:25,679
how I try to handle it. It's not always

350
00:15:25,680 --> 00:15:27,919
successful, but

351
00:15:27,920 --> 00:15:32,398
most of the time I am. Thank you. Yes.

352
00:15:32,399 --> 00:15:33,838
>> Just go ahead and ask it. I'll repeat

353
00:15:33,839 --> 00:15:38,949
it.

354
00:15:38,959 --> 00:15:40,799
>> She says, "So we all love season five.

355
00:15:40,800 --> 00:15:44,479
Love the boys." Um, so my question,

356
00:15:44,480 --> 00:15:45,919
>> someone's here's like, I haven't seen

357
00:15:45,920 --> 00:16:06,069
it. I don't know. [laughter]

358
00:16:06,079 --> 00:16:09,838
>> Let me just translate. Um just saying so

359
00:16:09,839 --> 00:16:11,758
uh the the information that we kind of

360
00:16:11,759 --> 00:16:15,198
got season 5 about Soulja Boy and Clara

361
00:16:15,199 --> 00:16:17,039
and the love that they shared in the

362
00:16:17,040 --> 00:16:19,278
past was could have been heavily

363
00:16:19,279 --> 00:16:23,039
influenced by what like her

364
00:16:23,040 --> 00:16:24,159
>> desire

365
00:16:24,160 --> 00:16:26,719
>> her desire to use Soulja Boy for kind of

366
00:16:26,720 --> 00:16:28,719
the the greater good of the company so

367
00:16:28,720 --> 00:16:30,398
to speak for advancement.

368
00:16:30,399 --> 00:16:32,159
>> Yeah. Her and Dr.

369
00:16:32,160 --> 00:16:34,078
>> for to fulfill her and Dr. B's work.

370
00:16:34,079 --> 00:16:41,518
>> Yeah. without too much. So,

371
00:16:41,519 --> 00:16:42,638
So,
>> she's asking what are we going to learn

372
00:16:42,639 --> 00:16:45,679
about Clara and Soldier boys dynamic in

373
00:16:45,680 --> 00:16:48,479
uh in the prequel. Um yeah, we

374
00:16:48,480 --> 00:16:50,559
definitely explore that. We go into that

375
00:16:50,560 --> 00:16:53,599
uh heavily um figure out kind of find

376
00:16:53,600 --> 00:16:55,599
out what

377
00:16:55,600 --> 00:16:57,758
uh what drew him to her in the first

378
00:16:57,759 --> 00:17:01,599
place and also what drew her to him. Um,

379
00:17:01,600 --> 00:17:04,239
and that is kind of the running question

380
00:17:04,240 --> 00:17:08,719
is is it is from her is it authentic or

381
00:17:08,720 --> 00:17:13,198
is it is she just a a puppet master? Um,

382
00:17:13,199 --> 00:17:15,759
and without

383
00:17:15,760 --> 00:17:17,838
without giving anything away, I'd say

384
00:17:17,839 --> 00:17:20,159
that there is that is certainly a

385
00:17:20,160 --> 00:17:24,078
question that is asked. Um

386
00:17:26,559 --> 00:17:30,159
and the answer to the question is I think

387
00:17:30,160 --> 00:17:33,599
the answer to the question is I think
explored a in a variety of ways but not

388
00:17:35,520 --> 00:17:37,359
necessarily definitive.

389
00:17:37,360 --> 00:17:40,479
definitive.
So there is that kind of like is it real

390
00:17:40,480 --> 00:17:43,119
or is it real or is it real or is it not

391
00:17:43,120 --> 00:17:45,999
real? The love that you know um I think

392
00:17:46,000 --> 00:17:48,079
it's pretty sick to say that his is

393
00:17:48,080 --> 00:17:50,479
authentic but we're still trying to

394
00:17:50,480 --> 00:17:52,319
figure out where she's coming from and

395
00:17:52,320 --> 00:17:56,159
if if that is um genuine.

396
00:17:56,160 --> 00:18:00,319
>> Yeah. Stay tuned.

397
00:18:00,320 --> 00:18:04,399
>> Uh all right, let's go over here.

398
00:18:04,400 --> 00:18:07,999
How about yes in the casting I'll get

399
00:18:08,000 --> 00:18:14,159
up. >> Hi.

400
00:18:14,160 --> 00:18:17,038
>> Hi.
>> Hi. This is my first uh time ever at one

401
00:18:17,039 --> 00:18:19,519
of these convention sites. Say thank you

402
00:18:19,520 --> 00:18:22,319
for being here. Um my question is are

403
00:18:22,320 --> 00:18:24,719
you actually a fan of Scooby-Doo?

404
00:18:24,720 --> 00:18:27,616
>> Am I a fan of Scooby-Doo? Yeah.

405
00:18:29,440 --> 00:18:31,279
[laughter] >> Oh, I mean yeah. I I grew up watching

406
00:18:31,280 --> 00:18:33,519
>> Oh, I mean yeah. I I grew up watching
that show. I obviously was very familiar

407
00:18:33,520 --> 00:18:36,879
with with all of the, you know, the

408
00:18:36,880 --> 00:18:39,519
story, the characters, the

409
00:18:39,520 --> 00:18:41,839
the catch lines, all of that stuff. When

410
00:18:41,840 --> 00:18:43,839
I heard that that they were going to

411
00:18:43,840 --> 00:18:45,599
that there was an idea of doing a

412
00:18:45,600 --> 00:18:49,599
crossover with with Supernatural, it was

413
00:18:49,600 --> 00:18:51,759
it was certainly not on my bingo card to

414
00:18:51,760 --> 00:18:53,918
have Scooby-Doo be the one that we

415
00:18:53,919 --> 00:18:55,839
crossed over with. There were it was a

416
00:18:55,840 --> 00:18:57,519
bunch of other shows I thought would

417
00:18:57,520 --> 00:18:59,759
have made more sense, but I'm glad that

418
00:18:59,760 --> 00:19:01,439
it it came about. I'm glad that those

419
00:19:01,440 --> 00:19:03,279
guys approached us and that that they

420
00:19:03,280 --> 00:19:05,279
were able to make it happen cuz when you

421
00:19:05,280 --> 00:19:06,558
look when you look back at it, you're

422
00:19:06,559 --> 00:19:08,079
like, "Of course, that makes perfect

423
00:19:08,080 --> 00:19:12,159
sense." You know? Um, so yeah, and uh I

424
00:19:12,160 --> 00:19:13,999
also loved it because it was the one

425
00:19:14,000 --> 00:19:15,678
episode I was able to show my kids when

426
00:19:15,679 --> 00:19:17,918
they were little. [laughter]

427
00:19:17,919 --> 00:19:19,439
>> So when you said you'd take a bullet for

428
00:19:19,440 --> 00:19:20,558
that dog, you meant

429
00:19:20,559 --> 00:19:22,719
>> Oh, absolutely.

430
00:19:22,720 --> 00:19:24,239
>> Absolutely. Thank you so much.

431
00:19:24,240 --> 00:19:27,279
>> Yeah, thank you. Uh, all right. Let's go

432
00:19:27,280 --> 00:19:29,839
over uh Isser right here.

433
00:19:29,840 --> 00:19:30,798
>> Uh, yeah.

434
00:19:30,799 --> 00:19:33,759
>> Got a mic for you.

435
00:19:33,760 --> 00:19:36,239
>> Specific to supernatural.

436
00:19:36,240 --> 00:19:37,999
Any scene come to mind that was

437
00:19:38,000 --> 00:19:39,599
particularly difficult or you had to

438
00:19:39,600 --> 00:19:41,439
take pause and think, okay, how do I

439
00:19:41,440 --> 00:19:43,759
approach this? Why I set a scene or

440
00:19:46,480 --> 00:19:48,719
something? >> Yeah. Was there any scene that was like

441
00:19:48,720 --> 00:19:49,918
>> Yeah. Was there any scene that was like
difficult that I had to

442
00:19:49,919 --> 00:19:51,119
>> in particular where you had to think,

443
00:19:51,120 --> 00:19:52,399
"Oh, wait a minute. I better think a

444
00:19:52,400 --> 00:19:53,839
little bit more about this." For any

445
00:19:55,039 --> 00:19:55,839
reason? >> Um,

446
00:19:55,840 --> 00:19:59,279
>> Um,
>> or something make you laugh too much.

447
00:19:59,280 --> 00:20:00,798
>> Well, we laugh too much on set every

448
00:20:00,799 --> 00:20:02,319
day. That was one of the reasons why I

449
00:20:02,320 --> 00:20:03,839
think we did it for so long. So, we

450
00:20:03,840 --> 00:20:06,558
truly enjoyed enjoyed the work uh and

451
00:20:06,559 --> 00:20:09,678
had a lot of fun doing it. But um yeah,

452
00:20:09,679 --> 00:20:11,359
I would say some of the ones that that

453
00:20:11,360 --> 00:20:13,519
gave me boss or that were just really

454
00:20:13,520 --> 00:20:17,678
difficult. Um you know, there's I said

455
00:20:17,679 --> 00:20:19,279
there's a there's a list of them. I'll

456
00:20:19,280 --> 00:20:20,558
give you two examples that kind of

457
00:20:20,559 --> 00:20:25,359
popped into my head. Um one was the

458
00:20:25,360 --> 00:20:29,359
cage fight with Seabine and Lucifer.

459
00:20:29,360 --> 00:20:30,319
>> Yeah.

460
00:20:33,039 --> 00:20:35,038
Um, most of you may know this, but Mark

461
00:20:35,039 --> 00:20:37,839
most of you may know this, but Mark
Pelgro is a trained boxer

462
00:20:37,840 --> 00:20:38,959
>> and and fighter

463
00:20:38,960 --> 00:20:39,519
>> really.

464
00:20:39,520 --> 00:20:41,359
>> Uh, he went from boxing and now he's

465
00:20:41,360 --> 00:20:43,599
like full he trains jiu-jitsu to this

466
00:20:43,600 --> 00:20:47,519
day. Um, not a person you would want to

467
00:20:47,520 --> 00:20:49,439
mess with.

468
00:20:51,760 --> 00:20:53,999
And now getting we're getting into like

469
00:20:54,000 --> 00:20:56,479
now getting we're getting into like
fight choreography with a guy who really

470
00:20:56,480 --> 00:21:00,399
knows how to throw a punch. And at one

471
00:21:00,400 --> 00:21:03,519
point the guy come up come up behind him

472
00:21:03,520 --> 00:21:06,719
and he turns around and just you know

473
00:21:06,720 --> 00:21:08,399
Lucifer hits Dean right in the face and

474
00:21:08,400 --> 00:21:10,879
knocks it back. And as we're kind of

475
00:21:10,880 --> 00:21:14,798
rehearsing it and walking through um you

476
00:21:14,799 --> 00:21:16,639
know, we're doing kind of do it in slow

477
00:21:16,640 --> 00:21:18,319
motion when you're just kind of like

478
00:21:18,320 --> 00:21:22,079
walking out the beats and

479
00:21:22,080 --> 00:21:25,038
Mark turns to me and throws this throws

480
00:21:25,039 --> 00:21:26,798
this punch

481
00:21:26,799 --> 00:21:29,759
that was supposed to be in slow motion.

482
00:21:29,760 --> 00:21:31,359
It didn't feel like it was in slow

483
00:21:31,360 --> 00:21:32,959
motion. [laughter]

484
00:21:32,960 --> 00:21:34,798
Then I realized it was slow motion for

485
00:21:34,799 --> 00:21:38,239
him. Then I also realized that he's

486
00:21:38,240 --> 00:21:41,038
trained to connect.

487
00:21:41,039 --> 00:21:42,879
>> Oh no.

488
00:21:42,880 --> 00:21:45,119
>> Yeah, [laughter]

489
00:21:45,120 --> 00:21:47,839
that gave me great pause cuz when he

490
00:21:47,840 --> 00:21:49,759
yell action, is he going to remember not

491
00:21:49,760 --> 00:21:52,079
to connect with my face? [laughter]

492
00:21:52,080 --> 00:21:55,678
And I will say that he came so close

493
00:21:55,679 --> 00:21:59,119
that he I it was like I feel like the

494
00:21:59,120 --> 00:22:02,079
hairs on my nose which are not even

495
00:22:03,600 --> 00:22:05,759
existent felt his fist

496
00:22:05,760 --> 00:22:09,599
felt his fist
and it was that I mean it was just

497
00:22:09,600 --> 00:22:13,038
so close and he it was so perfect and

498
00:22:13,039 --> 00:22:15,839
then I realized how amazingly controlled

499
00:22:15,840 --> 00:22:18,479
he is with his with his strikes and his

500
00:22:18,480 --> 00:22:22,158
punches and stuff. Um, but it it it

501
00:22:22,159 --> 00:22:24,079
scared the out of me when he when I

502
00:22:24,080 --> 00:22:25,918
when we went in real time and he threw

503
00:22:25,919 --> 00:22:28,399
that punch in my face. I I was like, I'm

504
00:22:28,400 --> 00:22:31,119
well, that's that's it for me.

505
00:22:31,120 --> 00:22:33,038
Um, so that was certainly one that that

506
00:22:33,039 --> 00:22:35,839
gave me a lot of pause was getting hit

507
00:22:35,840 --> 00:22:38,639
in the face by Mark Green. Um, the other

508
00:22:38,640 --> 00:22:40,719
one I would say there's probably a lot

509
00:22:40,720 --> 00:22:44,319
of emotional scenes that just inevitably

510
00:22:44,320 --> 00:22:47,999
take its toll on you. Uh,

511
00:22:48,000 --> 00:22:49,759
and I could I could remember a bunch of

512
00:22:49,760 --> 00:22:52,158
them, but one I remember specifically

513
00:22:52,159 --> 00:22:55,918
was um the the scene where Dean was

514
00:22:55,919 --> 00:22:57,839
telling Sam about his experience in

515
00:22:59,840 --> 00:23:01,918
hell. >> And

516
00:23:01,919 --> 00:23:05,918
>> And
>> for whatever reason, I I it it

517
00:23:05,919 --> 00:23:07,759
it's it's weird. It's a weird thing when

518
00:23:07,760 --> 00:23:11,038
you're when you're getting emotional in

519
00:23:11,039 --> 00:23:13,038
as an actor in a scene, playing a

520
00:23:13,039 --> 00:23:14,798
character, getting emotional about

521
00:23:14,799 --> 00:23:17,279
something that a didn't really happen, b

522
00:23:17,280 --> 00:23:20,079
you're not even that person, and and

523
00:23:20,080 --> 00:23:21,359
you're tricking, you're effectively

524
00:23:21,360 --> 00:23:23,038
tricking your brain and your body into

525
00:23:23,039 --> 00:23:25,439
feeling these emotions and making them

526
00:23:25,440 --> 00:23:30,719
real. Um, guess that's acting. Uh,

527
00:23:30,720 --> 00:23:33,439
and for whatever reason, I really like

528
00:23:33,440 --> 00:23:35,519
it just kind of opened up in one of the

529
00:23:35,520 --> 00:23:38,479
takes and I I couldn't turn it off and I

530
00:23:38,480 --> 00:23:42,558
had to when they yelled cut. Uh, Milton

531
00:23:42,559 --> 00:23:44,079
was directing that episode. When he up

532
00:23:44,080 --> 00:23:46,239
cut, I I had to like

533
00:23:46,240 --> 00:23:48,959
>> walk away cuz I couldn't like my body

534
00:23:48,960 --> 00:23:52,319
was like rivaled because it was like so

535
00:23:52,320 --> 00:23:56,319
it was so upset. And Jared kind of came

536
00:23:56,320 --> 00:23:58,079
up to me like I just walked down the

537
00:23:58,080 --> 00:24:00,558
road cuz I couldn't turn it off. He just

538
00:24:00,559 --> 00:24:02,399
walked up, put an arm around me and like

539
00:24:02,400 --> 00:24:04,959
just walked with me. Didn't say a word.

540
00:24:04,960 --> 00:24:06,558
And I was like, "I'm okay. I'm all

541
00:24:06,559 --> 00:24:07,519
right." He was like, "No, you're not."

542
00:24:07,520 --> 00:24:10,158
I'm like, "No, I'm not."

543
00:24:10,159 --> 00:24:13,918
Um, so it's uh yeah, it was a lot of lot

544
00:24:13,919 --> 00:24:15,759
of scenes like that, emotional scenes

545
00:24:15,760 --> 00:24:19,199
that are just really really tough to to

546
00:24:19,200 --> 00:24:22,158
get through cuz it's uh you know, you're

547
00:24:22,159 --> 00:24:23,759
not really not I wasn't really faking

548
00:24:23,760 --> 00:24:25,278
it. Like those were real. Those are real

549
00:24:25,679 --> 00:24:26,879
emotions. >> You're amazing at it.

550
00:24:26,880 --> 00:24:30,319
>> You're amazing at it.
>> All right, calm down.

551
00:24:30,320 --> 00:24:33,678
Uh, so anyway, that's just two two

552
00:24:33,679 --> 00:24:35,199
scenes that I can think of that kind of

553
00:24:35,200 --> 00:24:37,439
like, you know, gave me pause in very

554
00:24:37,440 --> 00:24:39,678
different ways. Um, all right, I think

555
00:24:39,679 --> 00:24:43,519
we got time for one more. Let's go.

556
00:24:43,520 --> 00:24:45,439
Let's go right here.

557
00:24:45,440 --> 00:24:49,759
>> Yes. >> Hi.

558
00:24:49,760 --> 00:24:50,239
>> Hi.
>> Hey.

559
00:24:50,240 --> 00:24:52,719
>> This is my first convention as well, so

560
00:24:52,720 --> 00:24:53,119
>> welcome.

561
00:24:53,120 --> 00:24:54,558
>> I'm sorry if I ask you a question that

562
00:24:54,559 --> 00:24:55,678
you've already been asked before.

563
00:24:55,679 --> 00:24:58,719
>> That's all right. Um, I'm a huge fan of

564
00:24:58,720 --> 00:25:02,639
Radio Company. So, is there any um like

565
00:25:02,640 --> 00:25:04,879
plans to do any more music or anything

566
00:25:04,880 --> 00:25:06,239
in the future?

567
00:25:06,240 --> 00:25:10,158
>> Uh, no, no plans right now. Um,

568
00:25:10,159 --> 00:25:14,230
>> can you make some? [laughter]

569
00:25:14,240 --> 00:25:16,719
>> Sure. Uh,

570
00:25:16,720 --> 00:25:21,599
>> yeah, that's uh um you know that it's

571
00:25:21,600 --> 00:25:22,798
kind of just something that kind of

572
00:25:22,799 --> 00:25:25,759
happens when it happens. Um, you know,

573
00:25:25,760 --> 00:25:31,119
we're not because Steve and I, you know,

574
00:25:31,120 --> 00:25:33,839
aren't doing this for like our soul.

575
00:25:33,840 --> 00:25:35,999
That's not our our sole job. Like we're

576
00:25:36,000 --> 00:25:38,798
not really like overly focused on doing

577
00:25:38,799 --> 00:25:41,119
this and and committing all this time to

578
00:25:41,120 --> 00:25:43,199
it. So, it kind of just happens when it

579
00:25:43,200 --> 00:25:45,599
happens when we get together and, you

580
00:25:45,600 --> 00:25:47,839
know, um, and it's a lot of fun. We had

581
00:25:47,840 --> 00:25:50,239
a lot of fun doing it. Um, so yeah,

582
00:25:50,240 --> 00:25:53,278
hopefully I he and I can get together uh

583
00:25:53,279 --> 00:25:54,798
sometime soon. And it usually just

584
00:25:54,799 --> 00:25:56,479
happens when we're hanging out, all of a

585
00:25:56,480 --> 00:25:58,399
sudden we, you know, knock out two songs

586
00:25:58,400 --> 00:26:00,158
and we're like, then we look around

587
00:26:00,159 --> 00:26:03,278
after after hanging out for however long

588
00:26:03,279 --> 00:26:05,759
and it's like, oh, we've got like 18

589
00:26:05,760 --> 00:26:07,119
songs we've written. Maybe we should

590
00:26:07,120 --> 00:26:08,879
record some of these. That's how it

591
00:26:08,880 --> 00:26:11,759
happened. So yeah, I guess it's to hang

592
00:26:11,760 --> 00:26:13,278
out with Steve a little bit more.

593
00:26:13,279 --> 00:26:14,798
>> Well, I look forward to it. Thank you.

594
00:26:14,799 --> 00:26:16,079
>> Cool. Thank you so much. All right,

595
00:26:16,080 --> 00:26:18,079
guys. That's it for me. Thank you so

596
00:26:18,080 --> 00:26:20,789
much. [applause and cheering]

597
00:26:20,799 --> 00:26:24,462
I will see you in a little bit. Bye.

598
00:26:24,463 --> 00:26:26,483
[applause]